Creative Director and lead 3D designer across three Clorox Scentiva spots. Each shot was 3D tracked to lock the hand-drawn paint strokes into the live action space — giving them accurate parallax and depth that felt organic rather than composited. The pipeline — combining 3D tracking, hand-animated strokes, After Effects motion, and Redshift renders — became the repeatable foundation for a second round of longer-form deliverables when the campaign expanded.